Apocalypto: Mel Gibson, the target of the antichristian hate.

Now, when we check that the expressions of the Mayan priests in Apocalypto are identical to those of the Jewish priests that murdered Christ in The Passion, we can affirm, we can assure that the antichristian hate, the hate toward Mel Gibson, will make a true cinematographic-Wall of Berlín: the antichristian community of Hollywood – that is to say , only the antichristian community of Hollywood - will never allow the director of Apocalypto to be rewarded with an Oscar again.

And this will be this way, because Mel Gibson has become a symbol for Christian people:

the Passion returned to the Christian community the Easter, the Christian Easter.

Apocalypto has returned the European Americans the pride of the conquest and the colonization of America.

Before the Passion, the Christian should remind the Easter looking at movies of Moses, the King David, the Exodus, or any figure of the old testament appropriate to the Jewish Easter.

And when in some of those movies Christ appeared, us, the Christian, alone we saw a beautiful face that smiled and it never suffered to redeem our sins. 

And the bad were, of course, only the Romans.

The passion recovers for the Christian community the lost identity.

Apocalypto recovers for the American community of European origin the heroic saga of its grandparents: the conquest of a hostile continent and the construction of a new world, a new beginning for all, especially for subjected American people and enslaved by the autochthonous dictatorships and for the forces of the nature.

A new world guided by the Faith, the plow and the sword.

Mel Gibson is much more than a simple cinema director.

He is a true movie prophet.

Their film are a message: a text to remember the texts of a world of understanding and tolerance that we have not still been able to build for the hate.

Mel Gibson, with The Passion rescued us - to the Christian - of a world without God, a Easter without Passion.

Mel Gibson, with Apocalyto rescued us - to the Americans of European origin - of a world governed by a new racism: the aided indigenist racism and promoted by the progres (sive) antichristians.

In Apocalypto the hero's pursuers, victims of the forces of the nature die: one for the bite of a snake ; another for a stone submerged in the river ; a third for a trap for animals ; the first one in the forest for the claws of a panther; a henchman for the boss's tyrant power ; the executioner - in the stone city - for the hero's hands.

A special paragraph deserves the death of another of the pursuers. This character, moribund for the stings of the bees, receives the blow of grace by means of thorns poisoned by a toad and heady with a blowpipe made with leaves: the use of the nature to destroy other human beings.

How many times have the gods in those that believe who criticize Mel Gibson for their violent movies eliminated their enemies by means of the use of the natural forces?

Please!!!

Finish with the hypocrisy and the lie!!!!

The violence in "the list of Schlinder" or in "the soldier Ryan" it is the same one that in the Passion or in Apocalypto, unless that those that criticize Mel Gibson believe that the characters of Mel Gibson doesn't have the same value like people, that is to say that don't deserve as much violence as the characters of the movies mentioned to make the comparison. 

That those that suffer in “Schlinder” and in “Ryan” they are of a superior human quality, for that reason the violence is the appropriate one and on the other hand, the character of The Passion doesn't deserve so much violence and for that reason there is an excess of violence. And the same thing happens with the victims in Apocalypto.

Some, absurdly, criticize Apocalypto for the topic of the eclipse of sun saying that the Mayan knew the movement of the stars with accuracy.

This is true. 

But, the Mayan priest takes advantage of this knowledge to manipulate people according to his pleasure and convenience. Ordinary people didn't have knowledge of astronomy!!!!!

That is the same thing that to think that any North American citizen has today knowledge of atomic energy or of the control of the climate or of the chemical weapons!!!

Some, point out that the arrival of the Europeans took place a lot after the disappearance of the Mayan empire. Those are the same ones that reject the Mexicans and that today experts are declared in Mayan culture!!!!!!!

For I finish, a warning to those who reject the American Christian and they call them disparagingly inhabitants of "Jesusland."

I propose that we call them - to these true religious racists - inhabitants of:

Mosesland, Mahomaland, Drugsland, Lesbianland, Gayland, Abortionland, Adulteryland and anyone of their synonyms, as it corresponds.

Because, regrettably, it seems that the enemies of Mel Gibson wants to begin another Guerra Santa.

Mel Gibson - as Clint Eastwood - it could overcome the wonderful characters that it embodied and he became a great cinema director.

But, contrarily to what happened to Clint, Mel is politically incorrect for the Fair of Vanities that is horrified by the consumption of alcohol of Gibson but that she drinks until the label of the bottles.

The violence that Mel Gibson describes in its movies is a support point to meditate on the wrongs that it suffers the human society, a starting point to build a really fair world, a Christian world.

The violence that other directors describe - and the critics that live inside the system applaud and they follow the commandments that the system imposes - they are alone to delight in her and to forget the possibility of the change, the moral imperative of carrying out it.

Finally, and to continue with this true cultural crusade I propose - like simple admirer – that Mel Gibson films Santa Claus true history: How the Norman of Robert Guiscard, led by Sichelgaita of Salerno, Roger Borsa and Bohemond began the first crusade rescuing the bones of San Nicholas of Myra taking them to Bari and beginning this way the current Santa Claus birth, the most popular saint in the world.

Guillermo Compte Cathcart